2023 John McDonald. Self Portrait in Studio Brett Whiteley 1976. ), 198, 209 (illus.). Why did that particular work gain your attention? The glamorous Whiteleys marriage was fiery, and their inevitable separation added to the artists problems with substances and self-doubt. Max Prisk (Editor), The Sydney Morning Herald, 'Gallery packed as family pays tribute to tragic artist', pg. (This same article appears in 'The Daily Telegraph Mirror', 20 June, 1992. Michaela Boland., The Weekend Australian, 'Whiteley's ex-wife ready to fight forgeries', Canberra, 06 Nov 2010-07 Nov 2010, (colour illus.). Drugs and . He was the subject of an ABC television documentary called Difficult Pleasure directed by Don Featherstone in 1989, which showed him talking about many of his main works, and his recent works such as ones done during a month-long trip to Paris; one of his last overseas trips. The work experimented with warping and manipulating a straight self-portrait, incorporating his pictorial sense of addiction. 100-111, London, 1998, 108 (colour illus.). Self-portrait with reading specs, 1991. 26-53, Melbourne, 1997, 49 (colour illus. How did his studio inspire Brett Whiteleys art-making? Zo Ross (Editor), Eyewitness travel guides: Australia, 'Botanic gardens and the Domain', pg. Brett Whiteley Self Portrait In The Studio Framed Print . Brett Whiteley AO (19391992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. Sandra McGrath, Brett Whiteley, Detail of 'Self Portrait in the Studio' on cover page of book, Pymble, 1992, cover (colour illus.). Anna Waldmann, Art and Australia (Vol. While in London, Whiteley painted works in several different series: bathing, the zoo and the Christies. Brett Whiteley - Portrait 2, 1975. photographer: Greg Weight. 40 years Kaldor public art projects 1961-2009 World events timeline ART GALLERY OF NSW / Kaldor public art projects explorer / WORLD EVENTS TIMELINE the 1960s was an 40, No. [23], The book was longlisted for a Walkley Book Award and Australian Book Industry Award, and shortlisted for the Australian Book Design Awards and the Mark and Evette Moran Nib Literary Award. Many who were close to Whiteley, then aged 39, felt sure he would not survive beyond 40. See opening hours Works of art from the collection are reproduced as per the, Let me know when this portraits on display. In little more than two years Whiteley had moved from a languorous vision of the studio to a sensational, confessional self-portrait set against a pale, terracotta ground. Brett Whiteley - Artist (1939 - 1992) After winning a grant from the Art Gallery of NSW at the age of 22, Brett Whiteley set up residence in London where he amazed art collectors with his highly sophisticated paintings. signed and inscribed with title lower right brett whiteley / self-portrait after a haircut at 36, 100 x 75 . Peter Ross, Let's face it: the history of the Archibald Prize, 'Into the 1970s', pg. No other Australian artist had such a wild, woolly set of curls. This appeared in the `Arts' section of `The Australian Supplement'. Its not the dark, edgy image of a celebrity, but the portrait of an artist. Subtitled; An extraordinary life. Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 22 Jan 1977-27 Feb 1977. Laurie Hergenhan (Editor), The Australian Short Story: A Collection 1890s - 1990s, St. Lucia, 1986, cover page (colour illus.). The editor of this section was Geraldine Pascall. The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. Almost too brutally honest, it seemed like the final flaring of a dying star. The Version table provides details related to the release that this issue/RFE will be addressed. Warning: Smoking has been linked to some of the most powerful images of the twentieth century an MPRG exhibition. 1927 Mrs Annie Murdoch by G. W. Lambert. Photograph of Brett Whiteley also appears with this article. Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. Whiteley looks out at us directly, with none of the emotional address of his early Van Gogh style portrait, none of the mock decadence of 1976, or the drug-fuelled angst of 1978. The original painting, done between 1972 and 1973 was composed of many different elements and on 18 wood panels 203cm 1615cm 9cm. Brett Whiteley, 'Self portrait in the studio' (1976) In the former, Whiteley's face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. This article appeared in the `Art' section of the newspaper. Lou Klepac, Affinities: Brett Whiteley & Lloyd Rees, 'Introduction', pg. [21], Whiteley's home and workplace during the last four years of his life at 2 Raper Street in Surry Hills was converted into the Brett Whiteley Studio museum by the Art Gallery of New South Wales.[22]. [25], In August 2018, Opera Australia announced that it had commissioned an opera to be based on the life of Brett Whiteley. She's this decade's Miss Popularity among major cities, the prom queen of the southern hemisphere. Free entry, Find out what you need to know before visiting, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Australian icons: twenty artists from the collection, Affinities: Brett Whiteley & Lloyd Rees (2001). As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." Hilma af Klint, Buddha's Standpoint in the Earthly Life, 1920 Art Print. This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. This article was edited by Sally White. Andrew Sayers, To look within: self portraits in Australia, 'The artist's self-portrait in Australia', pg. Elizabeth Fortescue, Daily telegraph mirror, 'Regarding Whiteley', pg. Shop unique custom made Canvas Prints, Framed Prints, Posters, Tapestries, and more. 46. His last studio and home at 2 Raper Street, Surry Hills in Sydney is now a museum managed by the Art Gallery of NSW. 3), 'Collecting international art', pg. Whitely started working as a artist in the studio of the Lintas Advertising Agency in Sydney and participated in John Santry's . BRETT WHITELEY. Photo David Christian, Brett Whiteley, 'Self portrait at 16', 1955, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait in the studio', 1976, Art Gallery of New South Wales. The big self-portrait looking at himself in the mirror is extraordinarily honest in some ways. From $35.80. It has been regarded as a self-portrait, a giant outpouring of energy and ideas brought forth over a long period of time. The Brett Whiteley Studio (Editor), Big Blue - The painted harbour, Sydney, 1997, cover (colour illus.). He died following an overdose of heroin in a motel in Thirroul, NSW in the winter of 1992. In 1972-73 Whitley produced another monumental work "Alchemy", described by Pearce as another self-portrait but without the fierce political agenda of its predecessor. His second Archibald prize, Art, Life and the other thing, shows his willingness to experiment with different media such as photography and collage. Susan McCulloch, Alan McCulloch and Emily McCulloch Childs, The new McCulloch's encyclopedia of Australian art, Carlton, 2006, 1085 (colour illus.). All Rights Reserved. It shows Brett Whiteley looking at himself intently in the mirror and recording exactly what he sees. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995 Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of . Elwyn Lynn., The Australian, 'A life of eternal struggle'; 'Golden boy's genius worthy of adulation', Sydney, 17 Jun 1992, 1, 16 (illus.). How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? It has primarily black on one side and has an image of his wife Wendy in a bathtub, seen from behind. This is a repeated advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. The painting which was finally produced was made of a fantastic array of elements, including collage, photography and even flashing lights, with a total length of nearly 22 metres. This article analyses art prizes and their judges, and this year's entries in the Archibald, Sulman, and Wynn competition. His work was not always being praised by critics, although its market value continued to climb. Alan McCulloch and Susan McCulloch, The Encyclopedia of Australian Art, St Leonards, 1994, 648-49 (colour illus.). Robert Walker, Gift of the Robert Walker family 2008, Brett Whiteley, 'Art, life and the other thing', 1978, Art Gallery of New South Wales. oil and hair on canvas He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald, Wynne and Sulman prizes. Self Portrait at 36, Comedown, C. 1975 Ink on torn reassembled . Bill Gregory, Art and Australia (Vol. The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. Sue Williams., Saturday Mercury, 'Whiteley gone but his great spirit lingers on', Hobart, 20 Jun 1992, 17, 20. Share on Facebook Share on Twitter. Deborah Bogle, The Australian, 'Art Movement', pg. He soon settled in Lavender Bay. 87-118, Sydney, 1991, 115 (colour illus.). The Melbourne Argus, Saturday 21 January 1956 reported; 'South Australian artist, Ivor Hele today won the 1955 500 Archibald Prize for the fourth time, and the third year in succession. Brett Whitely (Australian 1939-1992) Bio. [4] In 1962, Whiteley married Wendy Julius. Brett Whiteley Self Portrait In The Studio Framed Print . John Olsen at the time of print was a board member of the Art Gallery of NSW. This long oil and ink self-portrait incorporates fluid lines building to a sense of rapture, intoxication and playfulness. Explore the tradition of interior and still life painting by examining the work of Johannes Vermeer, Henri Matisse, Vincent van Gogh, Giorgio Morandi and Margret Preston. Joseph Brown Gallery, Melbourne, 1977. A day at Bondi Brett Whiteley . What is Whiteley trying to tell us about himself in his self-portraits? List of works . In 1991 he was awarded an Order of Australia. Artist Natasha Walsh with her nearly completed Archibald Prize entry, a riff on Brett Whiteley's winning piece, 'Self-portrait in the studio'.Janie Barrett. These are amongst the most prestigious art prizes in Australia. 28-29, Sydney, 09 Sep 1995, 28-29. Brett Whiteley was Born on the 7 th of April 1939 at Paddington Sydney. Melissa Phegan., Daily telegraph mirror, 'The passion and pain of Brett Whiteley', Sydney, 21 Jul 1992, (illus.). Artists; A-Z Listing; Art movements; Schools and groups 9 (verso) in education pack. It took a great deal of his time and effort, taking about a year of full-time work. 2-4, Sydney, 2001, 8. 1976 Self Portrait in the Studio 1978 Art, Life and the other thing Wynne Prize 1977 The . The balcony 2 Brett Whiteley 1975 116.1981. Signed and dated l.l. Provenance: private collection NSW (gift from the artist c.1975). 26, Sydney, Jun 2014, 26 (colour illus.). His last studio and home in Sydneys Surry Hills is now a museum managed by the Art Gallery of New South Wales. ), 21. Andrew Powell, Departures, 'Sydney[.] Anne Ryan, Look, 'Drawn to the line', Sydney, Jan 2019-Feb 2019, 34 (colour illus.). [citation needed], In 1967 Whiteley won a Harkness Fellowship Scholarship to study and work in New York. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his beautiful . Open daily Self portrait in the studio Brett Whiteley 1976 1.1977 Winner - Archibald Prize 1976 On display . . He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald Prize. Brett Whiteley is photographed by Robert Walker at. Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. 30.5 x 25.5 cm Daniel Thomas., The Age, 'Desperate Beauty', Melbourne, 20 Jul 1996, 7 (illus.). There are two illustrations of `Self Portrait in the Studio' in this article. The other title to this self-portrait is 'Self-portrait in exactly the spirit in which it was drawn. Brett Whiteley's 'Self portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995. . The 44-year-old Hele's winning entry was a portrait of Mr Robert Campbell, South Australian National Art Gallery director.'. By vintage wall art. ), 205 (colour detail illus.). Written shortly after Whiteley's Archibald & Sulman prize win in January 1977. The sculpture depicted on the right and others in the . card no. Similar to Brett Whiteley's other major paintings of this period, 'Self-portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called 'the ecstasy-like effect of Ultramarine blue'. Born: Longueville, Sydney, New South Wales, Australia 07 Apr 1939, Died: Thirroul, Wollongong, New South Wales, Australia 15 Jun 1992, Brett Whiteley in North Sydney house, date unknown, by Robert Walker Estate of Robert Walker. Self portrait in the studio, 1976 Brett Whiteley Oil, collage, hair on canvas 773 x 600 cm, AGNSW Brett whiteley's self portrait in the studio was a realism painting and stretch the definition of portraiture. the attraction of drawing is that there is an immediacy and freshnessnot so much that its simple, or reduced its just brief, beautifully brief.Brett Whiteley, Difficult Pleasure. Ashleigh Wilson, author of Whiteley's biography, is a consultant on the work. Growing up in Longueville, a suburb of Sydney, Whiteley was educated at Scots School, Bathurst[2] and Scots College, Bellevue Hill. Brush and ink on brown paper 80.5 x 53.5cm. Mervyn Horton (Editor), Art and Australia [vol. After studying desultorily at art school he travelled to Europe on ascholarship. Brett Whiteley - portrait 1 1975 Greg Weight. Philip McIntosh. This article looks at art reflecting society. a portrait within the portrait, and the face of the artist is rendered in strong detail in the reflection of a hand-held mirror. Think about how they indicate Whiteley's views on art and his role as an artist. He worked across painting, sculpture and the graphic arts, and is best known for his sensual and lyrical paintings of interiors, nudes and harbour scenes. 2023 Guardian News & Media Limited or its affiliated companies. [1] He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his lovely muse, Wendy Julius, the following year. Shop with Afterpay on eligible items. The second painting has a completely different tone. (Above) Brett Whiteley Self portrait in the studio 1976 oil, collage, hair on canvas, 200.5 x 259 cm Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010. Gareth Sansom (born 19 November 1939) is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.. Best known for introducing new themes and subject-matter into Australian art and being one of the first Australian artists to be influenced by Pop art, particularly British Pop artists like Peter Blake, Allen Jones, Derek Boshier . Whiteley became active in the great peace movements of the 1960s, with the protests against America's involvement in the war in Vietnam. Whiteley appears as a character in the book Falling Towards England by Clive James under the name Dibbs Buckley. The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white . His rock-star status and his popularity in secondary school art rooms may have eroded his street cred in the art world, but Lou Klepac's book Brett . (1974) The balcony 2 (1975) and Interior with time past (1976 . This article appears in 'The Arts' section of the newspaper. He also painted the darling harbour and the opera because he lived in sydney. Summer at Carcoar Brett Whiteley 1977. cat.no. David Shteinman, Philosopher, 'Tribute to a Dionysian Free Spirit. His wife Wendy appears as "Delish". During this time, Whiteley also painted works based on the animals at the London Zoo, such as Two Indonesian giraffes, which he found sometimes difficult. His ink drawings and paintings are accompanied by works of other Australian and Asian artists selected from the collection of the Art Gallery of New South Wales. 20, No. Jennifer Phipps, Members Magazine of the National Gallery Society of Victoria, 'Brett Whiteley Self Portrait and Other Intimacies', pg. [28], This article is about the artist. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. [20] On 7 May 2007, Opera House, (which took Whiteley a decade to paint, and which he exchanged with Qantas for a period of free air travel) sold for A$2.8million, in Sydney. 18-19, Sydney, 13 May 2006-14 Jun 2006, 18-19. From $33.34. He . A foundational moment in Whiteleys journey occurred while he was boarding at Scots College in Bathurst, New South Wales, when, one Sunday, he found a book on Van Gogh at St Stephens Presbyterian Church: I picked the book up and studied it it completely changed my way of seeing. His paintings during these years were influenced by the modernist British art of the sixties particularly the works of William Scott and Roger Hilton and were of brownish abstract forms. He also showed his large T-shirt collection, and talks about his sculpture, which he said is an aspect of his work that many people do not take seriously. There are portraits of Vincent van Gogh, Paul Gauguin, Charles . 36. ), 135 (colour illus.). A photograph of Alan Lloyd, head of conservation at the Art Gallery of NSW, examining a detail of Whiteley's painting also accompanies this article. His farewell to abstraction, Summer at Sigean, was a record of his honeymoon in France. The Self-portrait of 1977 represents a far less theatrical attempt at self-reflection. One could be cynical about these additions, seeing them as pictorial short cuts that saved a lot of time and effort, but its entirely plausible Whiteley was motivated solely by inner necessity or at least, his own, idiosyncratic version of the concept. Donated through the Australian Government's Cultural Gifts Program. Typically, the viewer is led deeper into the picture by means of minute detail. Geraldine Pascall., The Australian, 'Whiteley's arts double; Judges' daring matches entries', Sydney, 22 Jan 1977, (illus.). On weekends Whiteley painted around the New South Wales country towns of Bathurst, Hill End and Sofala, producing works such as Sofala 1958. 9 Shades of Whiteley is a mini-retrospective exhibition tracing the artist's life and career from his earliest work in 1955, with Self Portrait at Sixteen, to just a few months before his death, with Port Douglas, Far North Queensland 1992.. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). (age29in1975), Brett Whiteley In his younger years he was sent to boarding school in Bathurst and also Scots Collage in Sydney. 34, Sydney, 17 Jun 1992, 34. unknown author., The Sydney Morning Herald, 'Mirror image a winner for artist Whiteley', Sydney, 22 Jan 1977, (illus.). Fixed: Release in which this issue/RFE has been fixed.The release containing this fix may be available for download as an Early Access Release or a General Availability Release. Image of David Williamson standing in front of 'The balcony 2'. I think that the artwork is set in Brett Whiteley's studio 6-33, Brisbane, 2004, 22 (colour illus. Born in Sydney, Whiteley was sent to boarding school in Bathurst in 1948. As the camera pans through the studio and over the works, Whiteley describes the challenges of being gifted and of overcoming his addictive tendencies. Nevertheless, within this perceived enlightened sense of judging, the Trustees reverted to traditional form with the award going to William Pidgeon in 1961 for Rabbi Dr I. Porush. Brett said he had wanted it to scare himself straight. [1]. 204-210. He won the Art Gallery of NSW Archibald, Wynne and Sulman prizes several times, and his artistic career was bolstered by his celebrity status in Australia and overseas. David Freeman will direct and Tahu Matheson will conduct. He then turned to series of paintings of waves, interiors, the harbour, and coastal landscapes. 47-49, Sydney, Nov 2008, 47 (colour illus.). 9, Sydney, 07 Sep 2013, 9. ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. and their inevitable separation added to the artist's problems with substances and self-doubt. Archibald Prize: Brett Whiteley - Self Portrait in the Studio; John Moores Painting Prize - John Walker for "Juggernaut with plume - for P Neruda" Exhibitions. It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. 'Strung between triumph, tragedy' an obituary by Barry Pearce. How does he push the definition of portraiture? List of works. 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. He then gifted it to the current owner who had it reassembled. [4] He painted Woman in bath (1963)[5] as part of a series of works he was doing of bathroom pictures. (1939 - 1992) SELF PORTRAIT, 1977. oil and hair on canvas. Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.).